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Robert J. Farley, co-founder, with his wife, Anita Allen-Farley, of the Georgia Ensemble Theatre, died aback Thursday, according to his daughter, Laurel Farley Crowe.
Crowe acquaint on her Facebook folio Thursday: “It is with abstruse anguish that I allotment the account of the casual of my father, Robert J. Farley (Mr. Bob). His afterlife this morning was abrupt and unexpected. He was a alarm of ablaze and positivity in a apple that can use a little added of both.”
Farley’s afterlife abashed Atlanta’s amphitheater community. Alone a few weeks ago he was accustomed for lifetime accomplishment at the Suzi Bass Awards, Atlanta’s best celebrated amphitheater award. “Our hearts and prayers and adulation are with the Farley ancestors and Georgia Ensemble ancestors at this difficult time,” the alignment posted.
“Everybody’s in shock appropriate now,” said Atlanta author and amateur Topher Payne on Thursday evening, aloof afore a achievement in “Santaland Diaries.” “He was angry what he said was a accessory respiratory infection. He was appointed to go the doctor today to accept that looked at.”
Read and assurance the online guestbook for Robert J. Farley
One of eight siblings, Farley grew up in St. Louis, Missouri. He told biographer Wendell Brock he was clean-cut to become a priest. A assignment in aerial academy affected productions afflicted his mind. He was accepted into the Pasadena Playhouse’s College of Theatre Arts, and went on to absolute touring companies and to co-found the Alaska Repertory Theatre.
Though the temperatures were 90 beneath in Anchorage, actor/director Shannon Eubanks abutting the Alaska aggregation for a winter-time assembly of “The Taming of the Shrew,” and apparent that Farley had navigated into a admirable place: a arranged 600-seat theater, abounding accompaniment grants, oil-boom money and a boondocks awash with art galleries.
The Alliance Theatre brought him to Atlanta area he served as aesthetic administrator for three years, advocacy subscriptions to 20,000 and producing the accident hit “Driving Miss Daisy.” In 1992 he larboard the Alliance to actualize the Georgia Ensemble Theatre (GET), establishing a home at the Roswell Cultural Arts Center.
Eubanks additionally concluded up in Atlanta, and apparent that she was a acquaintance of the Farleys afterwards affective to East Cobb. Among the shows she has directed at GET is Topher Payne’s “Morningside,” which aloof captivated up. Farley listened attentively to his team’s ideas, whether the account came from writers, actors, body boutique or crew, she said. “It absolutely did advance a admirable collaborative effort.”
Farley’s affecting avenue comes afterwards he appear this bounce that 2017-2018 would be his aftermost division with the GET. Afterwards co-founding the aggregation and arch it for 25 years, Farley, 69, was accedence out. He planned to absorb added time with his four grandchildren and conceivably become a hospital clown.
“He had these big affairs for the abutting chapter,” said his daughter, Laurel Farley Crowe. His grandchildren accommodate her two children: William Robert Crowe, 13 and Finley Allen Crowe, 3, and her sister Heather’s two children: Clara Marie Farley Butcher, 3, and Sadie Rae Farley Butcher, bristles months.
“He admired his amphitheater and he admired his artists wholly, with every cilia of his being,” said Laurel Crowe. “He was the best dad you know, and sometimes he was a dad to others too.”
During his aboriginal years, Farley spent abounding performances on the alley with one of the aboriginal touring productions of “Hair!” and there was consistently a bit of “residual hippie” in his temperament, said Payne.
His adaptation of the counterculture complex creating a association (or a commune) that could actualize abundant theater, he said.
“He had a way of affairs you on the abstraction that the alone way we accomplish annihilation is if we accomplish it together,” said Payne, who premiered six of his plays at GET with Farley as the producer. “It led him to founding Georgia Ensemble Theatre, 25 years ago. It led him to booty adventitious risks on artists that he believed in. Like me.”
Kenny Leon, above aesthetic administrator at the Alliance, said Farley “was a absolute aesthetic abundance in Atlanta and provided so abounding artists paths to greatness.”
Farley’s afterlife is a accident that is still beating through that amphitheater community. “His affection and adamantine assignment is what fabricated Atlanta Theatre bigger anniversary and every day,” wrote the Metropolitan Atlanta Amphitheater Awards. “Losing him is like accepting the industry’s appropriate arm broken off.”
The ancestors was still authoritative affairs for a canonizing account at columnist time. Northside Chapel will handle burial arrangements, said Crowe.
Robert J. Farley to retire afterwards 50 years in theater
Georgia Ensemble Theatre’s 2017-2018 division schedule
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