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NEW ORLEANS: Fats Domino, the affable bedrock ‘n’ cycle avant-garde whose steady, anguish piano and accessible baritone helped change accepted music while anniversary the traditions of the Crescent City, has died. He was 89.

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Mark Bone, arch investigator with the Jefferson Parish, Louisiana, coroner’s office, said Domino died of accustomed causes aboriginal Tuesday.

In appearance, he was no matinee idol. He stood 5-feet-5 and advised added than 200 pounds, with a wide, adolescent smile and a crew as collapsed as an anthology cover. But Domino awash added than 110 actor records, with hits including “Blueberry Hill,” ”Ain’t That a Shame” – originally blue-blooded “Ain’t It A Shame”- and added standards of bedrock ‘n’ roll.

He was one of the aboriginal 10 honorees called to the Bedrock and Cycle Hall of Fame, and the Rolling Stone Almanac Guide likened him to Benjamin Franklin, the admired old man of a advocate movement.

“We’ve bargain the banderole and we’re arena his music all day,” said Greg Harris, CEO of the Bedrock and Cycle Hall of Fame. He said artifacts including aboriginal manuscripts of “Walking to New Orleans,” ”I’m Walkin'” and “Blueberry Hill” were on display.

“Fats is the asperse of bedrock and roll,” Harris said.

“On account of the bodies of New Orleans, I am consistently beholden for his activity and legacy,” New Orleans Mayor Mitch Landrieu said in a account absolution Wednesday morning.” Fats Domino added to New Orleans’ continuing in the world, and what bodies apperceive and acknowledge about New Orleans.”

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Domino’s activating achievement appearance and balmy vocals drew crowds for bristles decades. One of his show-stopping stunts was arena the piano while standing, throwing his anatomy adjoin it with the exhausted of the music and bumping the admirable piano beyond the stage.

His 1956 adaptation of “Blueberry Hill” was called for the Library of Congress’ National Recording Registry of celebrated complete recordings aces of preservation.

Domino became a all-around brilliant but backward accurate to his hometown, area his fate was initially alien afterwards Hurricane Katrina addled in August 2005. It angry out that he and his ancestors were rescued by baiter from his home, area he absent three pianos and dozens of gold and platinum records, forth with added memorabilia.

Many wondered if he would anytime acknowledgment to the stage.

But in May 2007, he was back, assuming at Tipitina’s music club in New Orleans. Fans animated – and some cried – as Domino played “I’m Walkin’,” ”Ain’t It a Shame,” ”Shake, Rattle and Roll,” ”Blueberry Hill” and a host of added hits.

That achievement was a highlight during several asperous years. Afterwards accident their home and about all their accouterments to the floods, his wife of added than 50 years, Rosemary, died in April 2008.

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Domino confused to the New Orleans suburb of Harvey afterwards the storm but would generally appointment his publishing house, an addendum of his old home in the Lower 9th Ward, alarming abounding with his assurance to break in the burghal he loved.

“Fats embodies aggregate acceptable about New Orleans,” his acquaintance David Lind said in a 2008 interview. “He’s warm, fun-loving, spiritual, artistic and humble. You don’t get added New Orleans than that.”

The son of a violin player, Antoine Domino Jr. was built-in on Feb. 26, 1928, to a ancestors that grew to accommodate nine children. As a youth, he accomplished himself accepted piano styles – ragtime, dejection and boogie-woogie. Fats Waller and Albert Ammons were aboriginal influences.

He abdicate academy at age 14, and formed canicule in a branch while arena and singing in bounded juke joints at night. In 1949, Domino was arena at the Hideaway Club for $3 a anniversary aback he was active by Imperial almanac company.

He recorded his aboriginal song, “The Fat Man,” in the aback of a tiny French Quarter recording studio.

“They alarm me the Fat Man, because I counterbalance 200 pounds,” he sang. “All the girls, they adulation me, ’cause I apperceive my way around.”

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In 1955, he bankrupt into the white pop archive with “Ain’t it a Shame,” covered blandly by Pat Boone as “Ain’t That a Shame” and rocked out decades afterwards beneath that appellation by Cheap Trick and others. Domino enjoyed a array of successes through the aboriginal 1960s, including “Be My Guest” and “I’m Ready.” Another hit, “I’m Walkin,'” became the admission distinct for Ricky Nelson.

Domino appeared in the bedrock ‘n’ cycle blur “The Girl Can’t Help It” and was amid the aboriginal atramentous performers to be featured in accepted music shows, starring with Buddy Holly and the Everly Brothers. He additionally helped arch bedrock ‘n’ cycle and added styles – alike country/western, recording Hank Williams’ “Jambalaya” and Bobby Charles’ “Walkin’ to New Orleans.”

Like abounding of his peers, Domino’s acceptance cone-shaped off in the 1960s as British and consciousness-expanding bedrock captivated sway.

“I banned to change,” he told Ebony magazine. “I had to stick to my own appearance that I’ve consistently acclimated or it aloof wouldn’t be me.”

Antoine and Rosemary Domino aloft eight accouchement in the aforementioned broken-down adjacency area he grew up, but they did it in appearance – in a white mansion, akin in pink, chicken and lavender.

In 1988, all of New Orleans seemed to be talking about him afterwards he reportedly paid banknote for two Cadillacs and a $130,000 Rolls-Royce. Aback the salesman asked if he capital to alarm his coffer about financing, Domino smiled and said, “I am the bank.”

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In 1998, he became the aboriginal absolutely bedrock ‘n’ cycle artist to be awarded the National Badge for the Arts. But he cited his age and didn’t accomplish the cruise to the White Abode to get the badge from President Clinton.

That was typical. Aside from attenuate appearances in New Orleans, including a 2012 adornment atom in the HBO alternation “Treme,” he dodged the spotlight in his afterwards years, abnegation to arise in accessible or alike to accord interviews.

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